To Catch a Thief (1955) dir. Alfred Hitchcock
(via inlovewithaudreyhepburn)
the thing about everything is that it all gets easier with practice, so be careful what you practice
(via citedsilence)
“Keats writes about the tendency of poets to annihilate their own identities by the chameleon-like absorption of other, more ‘poetic’ identities. Emily Dickinson delights in the meeting of another Nobody: ‘I’m Nobody! Who are you? / Are You—Nobody—Too?’ Walt Whitman asks—and answers—with self-assurance, ‘Do I contradict myself? / Very well then I contradict myself, / (I am large, I contain multitudes.)’ T. S. Eliot sees poetry as ‘an escape from personality.’ Faulkner wishes for a ‘markless’ life that could be summari in one sentence, ‘He made his books and died.’”— Katia Mitova, from “The Pessoa Syndrome”
19.12.18
This week’s bullet journal spead at a café near the university where I study:
plotted world dominationwent there with @imperial-ink-palace <3, and the view I captured at the said university.
- Photo by agarwaennarn on Instagram 🌿
- Edward Hughes - “A young girl with a posy” (1859)
(via songofiaras)
Marlene Dietrich in Blonde Venus (1932) dir. Josef von Sternberg



